A Mighty Heart

Michael Winterbottom's new film hasn't been able to stay out of the news. Coverage initially involved a secret shoot in Pakistan, and then it revolved around Angelina Jolie's endless issues with the paparazzi. Despite all that, the film's importance stems from it's story; based on Mariane Pearl's account of the abduction and murder of her husband, American journalist Daniel, by Pakistani extremists.

Daniel was researching a story on the shoe bomber Richard Reid. (Real-life footage of poor Daniel's head being chopped off can be found somewhere in the filthy, murky depths of the internet).
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Rating: 4 Flicks Review:

The worst thing about A Mighty Heart is the ridiculous title. It’s the sappiest phrase I’ve heard in a long time, and is an unfortunate blotch on what is otherwise a very engaging film.

The story concerns the kidnapping and eventual murder of Wall Street Journal reporter Daniel Pearl. His beheading was broadcast over the internet, and some of us may have had the morbid curiosity to seek it out. Brad Pitt certainly did, and he felt it compelling enough to produce a feature film and cast his wife in the lead role.

Angelina Jolie is…well… adequate in the lead role of Marion Pearl. She manages to restrain herself from any histrionics and keeps her dignity. When, however, she learns of the death of her husband, the opposite is true. Her guttural howls and awful wailings undo much of her good work prior, and one leaves the cinema unsure as to whether Mrs Pitt was a worthy watch or was, on the other hand, “Acting with a capital A”.

The best parts of the film are ‘sans Angelina’, and concern other members of the search and rescue squad exploring the labyrinth of Karachi in their hunt for Pearl. The police chief (Irfan Khan) tortures a suspect in such a way that one is left wondering as to whether Pearl’s captors could do much worse (This, I’m sure, is the point). A few red herrings are dropped into the mix (Most of which play on a generalized Western fear of any dark skinned man with a grey beard and strange head-gear). All this adds to a sense of mystery which descends upon Pearl’s disappearance like an impenetrable fog.

The alleyways and market-places of Karachi come alive thanks to brilliant atmospheric sound design and naturalistic lighting. This might include a bit of music coming from some shop speakers, or the chugging engine of an old bus. It’s a testament to both this and Marcel Zyskind’s urgent cinematography that you feel as though you’re actually there, actually involved with the characters.

The story is always engaging, and brilliantly edited. But Ms Jolie adds some unwanted star power to what is in every other sense a very good film.

By Andrew Hedley, Flicks.co.nz

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Release date: October 11th 2007.

We haven't received times for this movie in this location yet. However these are updated as cinemas announce them, so check back soon. Hopefully the lovely cinemas in your location will choose to play it shortly. ~Ed.