I apologise, we feel bad, but there's no trailer available. ~Ed.
Sounds like a horror movie doesn't it? But no, it's the latest British produced period drama, only this time sans Keira Knightley. Based on Evelyn Waugh's classic novel, it's the memoirs of Charles Ryder and his tale of love and innocence lost through dealings with the aristocratic family who own the Brideshead estate. Set between the two world wars, it's designed as an epic romance and lives up to half of that description while being less successful with the other.
Like all high-class historical dramas, the formal aspects of production are absolutely swank, in a very refined way of course. The sets and costumes are meticulously recreated and give the story a sense of realism that grounds the melodramatic elements. Tastefully picking this out is cinematography of the old fashioned, classical style. It makes for a lavish spectacle on the big screen. It would make a great enhancement to a more compelling story, but unfortunately it doesn't have that to work with.
What's really missing from this period romance isn't a well-constructed sense of time and place; it's an engaging central romance. Charles (Matthew Goode) and his big crush Julia (Hayley Atwell) never really get across a simmering passion beneath rigid social conventions, which is a hallmark of elite examples of this cinematic style. Technically, their individual performances are hard to fault but they never create a dynamic together that engineers a deeper emotional involvement. The two most interesting characters, and convincing performances, come from self- destructive homosexual Sebastian (Ben Whishaw) and the predictably excellent Emma Thompson as the iron-willed matriarch. It's a pity these two are only supporting characters, as the moments they are phased out seem to coincide with the story losing steam.
The recent run of quality Keira Knightley featured productions have raised the bar for other period pieces. Brideshead Revisited can barely clamber over it.
Reviewed by Andreas Heinemann.
A feature film attempting to cover the sub plots a plenty is very courageous. I forget how many episodes in the TV adaptation. The "men only affair" was passed over very quickly. Charles Ryders love for Brideshead was almost paramount previously. His passion for Julia and complications being homosexual barely addressed. The religious connection or for Charles not being connected sealed the deal for me. An astonishing achievement . And yes i will return for a 2nd viewing.
Based on the novel by Evelyn Waugh, and made popular by the 1980 TV series, Brideshead Revisited tells the memoirs of Captain Charles Ryder (Matthew Goode), a man who becomes entranced by the provocative and charming Sebastian Flyte (Ben Wishaw) and later with his sister Julia (Hayley Atwell). The rise and fall of his infatuations takes place against the backdrop of the Brideshead Estate, under the watchful eye of their mother, Lady Marchmain (Emma Thompson).
Acting and directing was godd, the story, if you like good old fashioned love stories was ok. Couldnt say I was captivated, but it was enjoyable.
One or two good moments-dont think its worth seeing at a cinema though
Some great acting,keeps you guessing after the movie as to the whole nature of friendship between the main actors
The film's strengths are in Waugh's story and not so much in the particular spin of these filmmakers. Their decision to turn up the volume on the homosexual undertones between Sebastian and Charles feels like an unimaginative nod to our modern times.
Mr. Goode shows all the charisma of a stalk of boiled asparagus molded into the likeness of Jeremy Irons.
A second tilt at Waugh's classic attempts to be this year's Atonement but misses.
Whether the action is unspooling across Oxford or Venice or Morocco or on an ocean liner or in a gallery, nothing good or bad happens without a week's worth of art direction. Doric arches, ivy-grown walls, baize doors, gilt cornices, plastered vaults: No expense has been spared, and no BBC lover has been alienated.
Features some very good performances but few characters you would want to be in the same room with for more than five minutes - unless, of course, you were on your deathbed and in fear for your mortal soul.
We've been told the NZ release date for this flick is Thursday, 23rd Oct 2008.
Release date: October 23rd 2008.
We haven't received times for this movie in this location yet. However these are updated as cinemas announce them, so check back soon. Hopefully the lovely cinemas in your location will choose to play it shortly. ~Ed.
