I apologise, we feel bad, but there's no trailer available. ~Ed.
There’s a bizarre morality at work in Four Minutes : the film at once idolizes the notion of ‘natural talent’, and compartmentalizes it away from the rest of its troubled characters’ defining attributes.
Fetishizing this abstract notion further, the movie then posits a series of scenarios in which its leads can be mean-spirited, weak-willed, even violent; but ultimately redeemed by what seems a hazily-defined, worryingly impractical conception of Genius.
For while the pic restricts itself almost totally to the one (almost intensely-unphotogenic , yet pleasantly idiosyncratic) metropolitan prison location, the division here isn’t between good people and bad, officious and industrious; it’s between those who Have this mysterious spirit and those who Haven’t. ‘Talent’ becomes a clear analog for the beauty in truth, the truth in beauty.
Where this doesn’t matter, of course, is in the doing: for the film’s two-hour duration, these rules work perfectly. Its leads, carrying the picture’s weight ably, are tasked with a difficult sell: providing well-rounded characters animated by a higher purpose, a search for this quizzical elixir.
In the film’s best moments, there’s an energy at work that can only be called sublime: a persuasive anima infusing performance and tone alike with exactly that which the picture would have us grudgingly embrace.
A notion, once again, of Genius as it’s literally defined: the act of moving with a higher, purer spirit, one that elevates and redeems narrative and character alike.
By Tom Goulter, Flicks.co.nz
Chris Kraus' film about a self-destructive musical genius is a real beaut.
I was blown away by this incredible powerful performance by the young actress Herzsprung. I haven't been impressed by a young acting talent like this for ages.
Four Minutes makes pains to add backstory to its characters, but is prone to open up questions that are then left unanswered. It also treads a fine line between dark humour and pure gloom, which can make it drag. But embellishments come in the form of rich cinematography and strong performances from the film's leading ladies, especially Herzsprung, who is capable of turning from wild-eyed savage to conservatoire standard artist in a beat.
Essentially a two-hander, Four Minutes benefits from a pair of outstanding performances. Winning the role ahead of 1200 other actresses, Herzsprung is the most exciting young Teutonic actress since Run Lola Run's Frank Potente. The real star, however, is 62-year-old Bleibtreu (mother of German superstar Moritz) who metamorphises into an 80-year-old masculine yet placid Prussian piano teacher, who has devoted her life to beauty alone, with extremely impressive effect.
Confused and disappointing.
Director Kraus, who also wrote, concocts an ending which threatens to tip over into schmaltz but has a surprise up its sleeve. Whatever else the film might be accused of, you can't call it sentimental. Impressive.
A screenplay rich with layers and tangible characters, a unique scenario, powerful performances and gripping direction all combine to make Four Minutes an outstanding drama - despite its confronting nature, largely unsympathetic characters and sombre mood.
We've been told the NZ release date for this flick is Thursday, 1st May 2008.
Release date: May 1st 2008.
We haven't received times for this movie in this location yet. However these are updated as cinemas announce them, so check back soon. Hopefully the lovely cinemas in your location will choose to play it shortly. ~Ed.
