I apologise, we feel bad, but there's no trailer available. ~Ed.
For his directorial debut, Ben Affleck returns to his native Boston to present a crime thriller about child abduction, paedophilia and ultimately the ambiguity of moral values and the human conscience. Clearly intended to be viewed as a dark human drama as much as a crime thriller, the genre from which many of the film’s strategies and techniques are borrowed from, Affleck has succeeded in winning himself critical and artistic acclaim that has eluded him since Good Will Hunting set him up as one of Hollywood’s next major talents over a decade ago.
The story is set in motion when a young girl goes missing and the police make little in roads into the case, causing the family to turn to a pair of private investigators with strong ties to the local neighbourhood. Their investigation takes them to the depths of the area’s underbelly as they encounter corruption, violence and depravity that sorely tests their commitment both to the case and their inherent moral values.
While the opening is highly effective, with the atmospheric realism of the setting and some fine underworld banter drawing you into the story and setting up a myriad of plot possibilities, it short changes itself as the running time wears on. This is a film committed to exposing a messy, chaotic world and this impulse leaks into the narrative during the film’s middle stages as the plot threatens to unravel from the labyrinthine journey intended. Add this to the fact that nearly every scene is intended to be an emotional tour de force, the genuinely dramatic and thought provoking finale is robbed of the build up it so richly deserves.
It is not surprising that an actor cum first time director would choose such an approach and frame it within a realistic, natural shooting style and it does make for some impressive performances. Casey Affleck makes a play for the next Leo DiCaprio in the lead role, Amy Ryan is capable of inducing both pity and disgust as the junky mother of the missing child and Ed Harris is the best he has been for a long time in my personal favourite out of any of his work.
Finally, kudos Ben Affleck for giving the audience a piece on child abduction and abuse without playing it for gory shocks or as a melodramatic urban tearjerker. It's safe to say he has more potential as a director than actor, which isn't meant as a backhanded compliment. Well, maybe a little.
By Andreas Heinemann, Flicks.co.nz
On screen Ben Affleck is something else but behind the camera as writer/director he has made a great version of this story. His brother Casey is good in front of the camera. Being a dad at home this was a very tense watch. Lots of twists and turns that hold you till the end
A brilliantly crafted film that demonstrates that Ben Affeck's directing debut is streets ahead of his acting talent. supurb performances from most cast except Asey Affleck as lead; he seems to be miscast as his child-like appearance and the Affleck urge to be as wooden as a coffin impede on what is otherwise a suburbly crafted film.
This was quite an emotional ride, and one that leaves a couple of questions unanswered which is always a good sign of a decent film. All the performances are stunning, but Casey definitely showed he has what it takes to be top billing on major production, backing up his well renowned supporting roles with this gem of a performance. Amy Ryan also deserves her dues and was rewarded like Casey with an Oscar nod for her performance as the unfit parent. Credit must be given to big brother Ben, whose star of late had been falling now has started to shine again with his recent projects. Gone Baby Gone, Is definitely one film I would recommend to be on any top 10 film lists of the year!
Story about a neglected child, drug and booze adled mother and the consequences of their lifestyle on the little girl. Some interesting twists, and FLICKS gets it right about the overdone underworld banter, I'd add the language detracted not added to the impact.
Interesting tho not too original story. Casey Allfleck is certainly an acting propsect.
The result is a superior police procedural, and something more -- a study in devious human nature.
As a director, Ben Affleck proves he has a great eye for choosing faces that tell a story. This film is packed with characters who, without even uttering a line, tell a story about where they've been and who they are.
It's a tribute to this thoughtful, deeply poignant, splendidly executed film that we replay the conclusion in our minds long after the lights come on.
A nihilistic, atmospheric police procedural set in his hometown, Boston, it has many inspired touches and the performances, particularly Ryan's, are outstanding. But it is all in the service of a hugely complicated story which is too often impenetrable - both visually and dramatically. Worse, its morally ambiguous ending, though cogent enough in philosophical terms, is grim and unsatisfying.
1/2 It's been well-publicized that Affleck, going for as authentic a feel as possible, cast many genuine South Bostoners in both extra and speaking roles, and, while that's salutary, in some scenes his strategy backfires, yielding caricatures that are merely more vivid than the ones turned out by Central Casting Hollywood productions.
We've been told the NZ release date for this flick is Thursday, 27th Mar 2008.
Release date: March 27th 2008.
We haven't received times for this movie in this location yet. However these are updated as cinemas announce them, so check back soon. Hopefully the lovely cinemas in your location will choose to play it shortly. ~Ed.
