Inception

Cryptically described as a contemporary sci-fi action thriller "set within the architecture of the mind", this is director Christopher Nolan's follow-up to smash-hit The Dark Knight.

Leonardo DiCaprio is Dom Cobb, an expert in "subconscious security". He's a high-tech agent who steals ideas from his targets while they sleep, manoeuvring through their complex and surreal dreamscapes. Cobb's rare ability has made him both a coveted player in the world of corporate espionage, and an international fugitive. Now Cobb is offered one last job and the chance to get his life back. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: not steal an idea but to plant one.

His wife is played by Marion Cotillard, and Ellen Page is his intern sidekick. Joining them are Nolan regulars Michael Caine, Cillian Murphy and Ken Watanabe. The film was shot around the globe, including Tokyo, Los Angeles, Paris and London.

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Rating: 5 Flicks Review:

Christopher Nolan’s work has proved him an adept puzzle-maker here and world-builder there, talents that may not always lend themselves to box office success. Several times over now though, they have kept Hollywood’s tills ringing, and now with Inception Nolan has fused those various elements together for their maximum impact to date. There’s a bigger victory beyond that of the film’s financiers and creators to consider as well, a giant win for audiences and the degree to which filmmakers can respect their intelligence.

It’s hard to think of a denser or more complex blockbuster than Inception, especially one that so consistently refuses to abate from challenging those who watch it. From the opening frames it is a dizzying rollercoaster that relentlessly manipulates one’s senses, intellect, and emotions, not letting up for some two and a half hours.

Nolan’s team of collaborators overachieve throughout, be they cast members (DiCaprio grabbing his tragic character by the scruff of his neck, Juno’s Ellen Page surprisingly comfortable playing at this level, and Toms Hardy and Berenger great in supporting roles), Hans Zimmer and Johnny Marr’s work on the intense and incessant score, or longtime cinematographer Wally Pfister.

Basically, Inception’s pretty damn-near perfect and demands to be seen before you hear too much about it. This isn’t a film to be discussed so much as experienced, and while it certainly doesn’t require a repeat viewing to comprehend, I’m going back a second time very, very soon.

By Steve Newall, Flicks.co.nz

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Release date: July 22nd 2010.

We haven't received times for this movie in this location yet. However these are updated as cinemas announce them, so check back soon. Hopefully the lovely cinemas in your location will choose to play it shortly. ~Ed.