Coming to Cinemas 25 October 2018
Nobody wants to be ordinary.
Evan Peters (X-Men: Apocalypse) and The Killing of a Sacred Deer's Barry Keoghan star in this true story heist thriller, told in part by the actual men who committed the crime. Nominated for the Sundance Grand Jury Prize. From the director of 2012's The Imposter.
Four university students (Peters, Keoghan, Blake Jenner, and Jared Abrahamson) living an ordinary existence brazenly attempt to execute one of the most audacious art heists in US history. But not everything is as it seems, and as the daring theft unfolds through each of their perspectives, each of them starts to question whether their attempts to inject excitement and purpose into their lives is simply a misguided attempt at achieving the American Dream.
- Bay Of Plenty
- Hawke's Bay
- Nelson-Tasman Bay
- Taupo-Central Plateau
- West Coast
- Bart Layton('The Imposter', 'Locked Up Abroad', 'Becoming Alexander')
Rating: R13 Violence, drug use & offensive language
It’s difficult to describe the second film by writer/director Bart (The Imposter) Layton without making it sound a) like a lot of other films, or b) shit. It’s Man On Wire meets Fight Club; Ocean’s Eleven via American Honey; Tarantino with teens. See?
A heist flick based on a true story, the film follows students Barry Keoghan, Evan Peters and accomplices as they plan, prep and mount a daring (not to mention extraordinarily dim-witted) robbery on their university library. The prize? Some priceless books on evolution by Charles Darwin and John James Audobon. The chance of getting away with it? Practically zero.
As a thriller, it’s funny, fast and tongue-chewingly tense. The performances are excellent, with the presence of Ann (Aunt Lydia) Dowd a gold-standard guarantee of quality. The soundtrack, from Elvis to Rodriguez, is your new please-everyone Spotify playlist. And the cinematography is both striking and thought-provoking. Witness the moment when, on the drive to the robbery, the image flips upside down, like the boys’ lives are about to. But Layton has an ace up his sleeve even if the characters don’t.
Throughout the film, he cuts away to interviews with the real-life perpetrators, their parents and victims. Material this strong would probably have worked as straight-ahead fiction, but these documentary elements add pathos and perspective to the rapidly unravelling action, elevating the film from entertainment to a meditation on truth and trust. If that all sounds a bit heavy, fear not. For the most part, you’ll be digging your nails into the arm-rest so hard you won’t notice.
Los Angeles Times
New York Times
better than ocean's eleven
best heist thriller movie i have seen in a long time
it's thrilling, compelling and truly sensational; with its dark and poignant theme along with its brilliant directing.