Atomic Blonde

Out Now On-Demand

Charlize Theron is an undercover MI6 agent sent to Berlin during the Cold War to find a list of double agents who are being smuggled into the West. From the co-director of John Wick and co-starring James McAvoy and John Goodman.

Lorraine Broughton (Theron) is the most elite spy in MI6, an agent who's willing to use all of her lethal skills to stay alive during an impossible mission. With the Berlin Wall about to fall, she travels into the heart of the city to retrieve a priceless dossier and take down a ruthless espionage ring. Once there, she teams up with an embedded station chief to navigate her way through the deadliest game of spies.

If you're going into Atomic Blonde wanting a simple action film, I can guarantee you at least one moment of ass-kicking amazement that will make the whole film feel like it was worth seeing. But be aware: this isn't a simple action film. It's a complicated action film that isn't very good at telling a complicated story.

David Leitch, co-director of stupendous shoot-em-up John Wick, continues the command of vicious stunts and visual style that made his and Chad Stahelski's 2014 film a violent, classy classic. Set during the fall of The Wall, he and his crew make Berlin look like a neon glow stick party (without going full Joel Schumacher). Better yet, Charlize Theron does almost all her own stunts, with the steady camera work making sure you do not question this fact.

When Theron isn't throat-punching her way out of trouble, she makes for a solid, stoic, sick-of-everyone's-shit action hero. She's often humourless, which isn't a necessity, but there isn't much that humanises her aside from a love interest - and even that relationship is kept at a distance. (It's the same reason I never fully loved James Bond.)

At least James McAvoy's there to liven things up, playing a charismatic and shifty-eyed spy embedded deep in Berlin. Unfortunately, the rest of the cast get one-note roles like Frustrated Interrogator (John Goodman), The Rookie (Sofia Boutella), Mr McGuffin (Eddie Marsan), and Some Other Spy (Bill Skarsgård).

One-note characters work for something simple like John Wick, but Atomic Blonde tries to be as complex as Tinker Tailor Soldier Spy. These side characters aren't deep or memorable, so when the film drops a heap of plot twists and double-/triple-crosses, it's gonna leave many either confused or not caring for the backs that got stabbed. (Sarah Watt)


Turns out to be nothing more than a series of sometimes visually impressive, but perpetually banal sequences...



You don't go to operas for dancing or ballets for singing, and you don't see Atomic Blonde for anything but a badass female protagonist crunching bones and pulping faces in gratifyingly long takes or remarkable simulations thereof.

Los Angeles Times


"Atomic Blonde" may be a delirious exercise in outré nonsense, but it can also be a brutally effective action picture when the inspiration strikes.

New York Times


Lorraine punches and is punched, and her body is soon mapped by bruises and abrasions. It's a lot of abuse for such puny returns, even if the fights are the best parts of "Atomic Blonde."

Variety (USA)


So much uncut hardboiled posturing proves exhausting over a nearly two-hour runtime, and with zero emotional stakes and a plot that is both difficult and seemingly pointless to follow, there's a fundamental emptiness behind all the flash.

Hollywood Reporter


As enjoyable as Atomic Blonde can be at times, its main utility may be its demonstration that Theron deserves better than this.

Rolling Stone


Theron, who did most of her own martial-arts stunts, is pure bruising poetry in motion. She's a stone-cold badass. How can you resist?




It's action-packed with exquisite fight choreography, overcoming it's intricate narrative.


Pretty cool cold war flick, pitty about the bad acting




Go Charlize!

I really enjoyed this movie - I felt like a smash 'em up sort of movie. Most elements were covered - some epic shots and slow mo's. James McAvoy played a good guy/bad guy role, more bad guy. Good coverage of whatever country they were filming in!

Charlize stepping up and kicking butt, so yes!!

Charlize is absolutely the winner here shes just a delight, not a lady I would want to mess with. John Wick's director /producer Leitch he sure does love his stunt men and women he applauds their sheer tenacity and talent and pools them into everything he does. It's a complicated little plot with 80's cold war intrigue, berlin wall and all that intriguing history wrapped up with secret agents and double, triple twists that perhaps is needlessly complicated for its own good. And there is James McAvoy mixed in too *sigh*. Far from great but if entertaining silliness is what you crave, take a seat.

more heroine-inflicted casualties per minute than some war movies

It’s strange logic to think that hyper-violent female stereotypes can make up for decades of weak or absent women in movies but that seems to be the current thing. Opinions on this will differ of course, as they will about the spy-thriller Atomic Blonde (2017). If you like frenetic pace, classic noir-espionage styling, and more heroine-inflicted casualties per minute than some war movies, this one is for you.

Set in 1989 against the backdrop of the imminent collapse of the Berlin Wall, the convoluted hall-of-mirrors storyline is framed as a series of flashback episodes. Heroine and M16 top spy Lorraine Broughton (Charlize Theron) is being interrogated by several bullying male superiors about an apparently failed mission to recover a microfilm list of undercover spies in Berlin. After the ultra-cool Lorraine recounts each separate phase of her mission we return to the interrogation for more questions which also help the audience make sense of it all. Narrative confusion is nothing compared to life in Berlin where nobody is what they appear to be and every spy she encounters is a double or triple-agent. The once trusted M16 operative in possession of the list has turned feral and Lorraine must get it back to London through a wall of Stasi, KGB, and French agents, and still finds time for a heart-warming lesbian encounter to show the softer side of a super spy. Along every corridor there lurks a gunman and every stairwell presents another opportunity for Lorraine to throw an enemy agent tumbling down in spectacular fashion. But who does what to whom is and why is not as important as the car chases, explosions, shootouts, and a neat finale twist that even Hitchcock would have enjoyed.

While the narrative is stock-standard espionage and not a single character is vaguely likeable, the standout features of this film are the cinematography and choreography. A lot of the filming is on location in Budapest and Berlin, and the free-range camerawork is superb in capturing the frenzied atmosphere of Cold War espionage. The fight scenes are notable for more ignoble reasons: they are incessant, repetitive and possibly among the most inauthentic seen in recent times. Not only is it a stretch to see Lorraine take massive blow after blow without smudging her makeup, it can be tiresome to watch the heads of bad guys begin to turn a split second before the heroine executes another textbook martial arts strike. Many agents take a full barrel of bullets to despatch, but others keep popping up like the decapitated Monty Python knight who will not lay down. If attention wanes at any point, the ear-splitting soundtrack lifts the heartrate to required levels. As for the CGI and those bright red head explosions, don’t even ask.

For many, the phrase ‘Hollywood genre films’ is not complimentary and films like this show why. Maybe filmmakers need reminding that there is more to the portrayal of strong women than making them more violent than men. The gratuitous non-stop carnage at times brings this film closer to a gore mashup than a serious spy thriller. Some people will love the action but apart from great camerawork, this writer found little to commend.

Atomic Blonde

An overly complicated movie that isn't as smart as it thinks it is. On a technical and visual level, ATOMIC BLONDE is outstanding. It looks f**king gorgeous. Beautifully shot and I loved the neon aesthetic. There's an absolutely amazing action sequence that's made to look like it was shot in one take. Charlize Theron is great. James McAvoy is disappointingly underutilized. I wasn't very engaged in the story. I feel like this would've been better as a JOHN WICK type of action movie than an espionage spy thriller (this ain't got nothing on JOHN WICK: CHAPTER 2, my favourite movie of 2017). Not awful, but a little disappointing.

Atomic moments

To start off with this movie has a great soundtrack full of the 80's finest tracks. Unfortunately I didn't find this movie too be as atomic as I had hoped. There are some fantastic moments of choreographed glory, some nice little twists and plenty of good aspects but it just didn't quite hit the nights that I was hoping for


Good secret agent action flick, enough action to keep you watching without going over the top. Some cool music and artistic scenes with an interesting story line to keep wondering. Well worth a watch.




A lot of style, a bit of substance

This was a fun cinematic experience. With a rollicking soundtrack, an upbeat pace, and a cast that's clearly having a good time, Atomic Blonde will certainly hold your attention throughout the running time. The well-directed action set-pieces are the focal point and you don't actually have to pay attention plot-wise, though there are enough twists and turns to make sure that you walk away satisfied.


I know I shouldn't have been distracted, but Charlize Theron's bad English accent and wacky hair were really off putting, and they were the first things I saw/heard whenever she entered a room/scene. The stylization of the film was really slick and cool and it was fun to flash back to spies and tech of the 80's. I didn't appreciate the dumbed down, in your face reveal at the end- just in case you didn't get really, did you get it...but the fight scenes were gnarly.