Kong 3D: Skull Island

We don't belong here.

Brie Larson, Tom Hiddleston, John Goodman, John C. Reilly and Samuel L. Jackson star in Legendary Entertainment's second installment of their Godzilla-Kong series, set during the Vietnam War.

A team of explorers are brought together to venture deep into an uncharted island in the Pacific, unaware that they're crossing into the domain of the mythic giant ape.

A surfeit of cool ideas propels this grand adventure forward, even if they don't ever all quite gel into something with a larger point. But movies about giant monsters don't live or die on "larger points" and Kong: Skull Island remains a consistently entertaining hoot throughout.

The first cool idea is the Vietnam-era setting. A war defined by how it was portrayed on screen, the film gains a unique point of difference by locating all the monster mayhem amidst the familiar aesthetics and character types found in films like Apocalypse Now and Platoon.

There's no shortage of eye-popping set-pieces, but Kong's gargantuan size makes some of the staging a little ineffective in the sense that it comes across a little awkward whenever humans and the giant ape are on screen at the same time. On the whole though, the action is pretty spectacular, and distinct enough from that seen in Peter Jackson's underrated 2005 King Kong movie.

The stellar cast – especially John C. Reilly & Samuel L. Jackson - make a meal out of the film. Tom Hiddleston, playing the ostensible hero, is a little ineffectual though. It's not hard to picture the movie without his character.

Director Jordan Vogt-Roberts (The Kings of Summer) proves himself an inspired choice to direct the film, only his second, and presents the majority of his monster mash with a fanboy-ish glee that elevates the proceedings. The Oldboy reference made me clap out loud.

Unlike a lot of franchise-ready genre films, Kong: Skull Island is more concerned with telling its own story than setting up future installments. There are gestures in the general direction of the already-announced Godzilla vs. Kong, but they never seem too craven or get in the way.

Any genre epic where the financial motivation is not blindingly apparent is something to be celebrated. All hail Kong: Skull Island.

FilmInk (Australia)


...that's the thing about Kong - it's never not fun...

The Guardian (UK)


This fantastically muddled and exasperatingly dull quasi-update of the King Kong story looks like a zestless mashup of Jurassic Park, Apocalypse Now and a few exotic visual borrowings from Miss Saigon.

Hollywood Reporter


All the requisite elements are served up here in ideal proportion, and the time just flies by, which can rarely be said for films of this nature.

Variety (USA)


The surprise is that Skull Island isn't just ten times as good as Jurassic World; it's a rousing and smartly crafted primordial-beastie spectacular.

Total Film (UK)


Derivative and a little dumb but consistently fun: there's personality and panache to spare in this monster blockbuster. With reservations, Skull Island is a swinging success.

TimeOut (US)


Directed by Jordan Vogt-Roberts with a gleeful, look-at-me-ma garishness that speaks to his background in TV comedy, the movie feels wonderfully close to self-parody.

Empire (UK)


This is an uneven adventure that's saved by the spectacle of its towering title character and the various beasts with whom he shares his island home.

Stuff.co.nz (Sarah Watt)


It's terrible to recommend a film entirely on its computer-generated grounds, but this is what Kong: Skull Island does best.

Sydney Morning Herald


This is, in short, a neutered Kong – yet taken as a straightforward adventure movie, it's enjoyable enough.

Big gorilla balls of 3D fun!

Watch the final trailer and you’ll experience a rarity – an honest taste of what’s on offer. ‘Kong: Skull Island’ is derivative, silly, and surprisingly fun.

Think Oliver Stone’s ‘Platoon’ meets Andy Serkis-style motion-capture CGI, in Steven Spielberg’s ‘Jurassic Park’ , and you’re pretty much there.

Director, Jordan Vogt-Roberts ('The Kings of Summer', 'Nick Offerman: American Ham'), channels the look and feel of Coppola’s ‘Apocalypse Now’, mixes in the zany humour of a Will Ferrell genre-pastiche, and then lobs In a few star names for good measure.

Brie Larson, Tom Hiddleston, Samuel L. Jackson, John Goodman and John C. Reilly all report for duty, have a blast, and pave the way for the inevitable Godzilla v. Kong cinematic clash.

Action packed as a ‘Fast & Furious’ franchise entry, CGI-stuffed as a ‘Transformers’ sequel, and undeniably entertaining fun for pretty much everyone over 8, who’s not scared by wonderfully loud noises, lumbering digital beasts - and a huge hairy gorilla.