Men, Women & Children

Out Now On-Demand

How little do you know about the people you know?

Writer-director Jason Reitman (Up in the Air, Juno) adapts Chad Kultgen’s bestseller that examines the sexual frustrations felt by teens and adults through the perspective of today’s wired-up world. Stars Adam Sandler, Jennifer Garner, Emma Thompson, Ansel Elgort and Judy Greer.

A group of high school teenagers and their parents navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives - staring down social issues such as video game culture, anorexia, infidelity, fame hunting, and illicit material.


Directed by

Written by

Comedy, Drama


Rating: M Offensive language, sexual references & nudity


Official Site

You can’t have it both ways, Jason. You can’t set up a deeply contrived film, then refuse to conclude your film because life is messy.

Teenage kids and their parents – the title really be Mums, Dads and Children – live lives unrecognizable from those a generation ago, with a resulting replacement of innocently erotic fumblings and stumblings with internet-fuelled, legitimately dangerous behaviour.

Gone are the days of John Hughes-style simplicity. Solution? Make a John Hughes-style film to highlight it.

The pic begins as a Love Actually-inspired series of intertwined vignettes – including a voice over by Emma Thompson just to make the comparison a mandatory one. One girl has an eating disorder, one boy quit football when his mother walked out and one father is trying to date again. Then there’s the girl with a website selling photos to strangers, the boy whose porn addiction has curbed his interest in sex, and the parents who are cheating on each other online.

To combine all these in one tale requires a lot of filmic shorthand. Characters are little more than stereotypes, yet Reitman still spends too long on set up, even interweaving a clunky Voyager probe leaving the galaxy contrast – old technology, big picture, geddit? The result is a film playing catch-up.

This effect is felt in the second half as threads are unceremoniously dropped while those that are completed are mostly given a lazy “there is no easy solution” dismissal. Ultimately it feels like Reitman walked away from his characters saying “gosh what a mess”. How right he was.

Hollywood Reporter


Skillfully navigates through the personal melodramas of many characters with a nice sense of balance and a sharp appreciation of generational differences.

Guardian (UK)


A huge improvement on the muddled melodrama of Labor Day, Men, Women and Children is still a flawed Jason Reitman film.

Variety (USA)


Feels at once of-the-moment and too obvious by half, like a less overblown version of “Crash” for the information superhighway.

Time Out New York


The first Reitman film to make the 36-year-old director seem about 400 years old.

Dissolve (USA)


“A failure pile in a sadness bowl.”

Entertainment Weekly (USA)


The problem isn't so much what the film is saying but its shrill, alarmist tone.

At The Movies (Australia)


I'm not sure that Reitman has completely succeeded. But he's been well served by a splendid cast, both young and adult, and the film certainly packs in a message.